Set the Codec to Apple ProRes and select one of the available options (e. MOV comparison table below. Joined: Thu Feb 07, 2013 5:07 pm. for use in post-production that supports video resolution up to 8K. ProRes is resolution independent which means it can accommodate any size frame of your choosing. Neither cineform nor h. What is the Best Video File Export Settings for YouTubeDownscaling and transcoding to ProRes or CineForm at 1080p can convert the RGB 4K data from the GH4’s 4K 100Mbit/s codec to the higher bit depth of 10bit and colour sampling of 4:4:4. Practically speaking, the ability to only decode ProRes is not enough to build a solid ProRes workflow. Another significant advantage of the Blackmagic RAW is the compatibility to multiple OS platforms (Mac, Windows and Linux) contrary to ProRes RAW which is. ProRes is only standard because of apple ecosystem. Supported OS. Codec science is unbelievably complicated. Studio for >=4k/Dolby P3D65. 4. FFMPEG can decode and encode it with alpha. I wish DNxHR had a comparable result to ProRes 422 LT but it only seems to have an equivalent to 422 HQ. 264 to HEVC, which is often called “H. Otherwise, you shouldn't need one and can choose a much more compact format. Posted by Lukas Dreser on October 6, 2014 at 4:14 pm. will do the trick. Ideally, you should use the exact same format as. 264 for possible quality though much bigger in file size. You’re in very good company if you don’t understand, intuitively, why one type of codec is better than another - and, specifically, why an I Frame-only codec like ProRes or DNxHD is better than a long-GOP one like H. Render previews of any clips with effects and clips that are not the same as the new smart. Function: h. [1] Much like the H. 264 is widely used for online streaming due to its high compression efficiency, it sacrifices some image quality. An intermediate codec will save a lot of hard drive space, and possibly be faster to render. ProRes: In addition to MOV, Apple developed ProRes, mainly to help video editors manage large high-resolution video files that can eat up a lot of memory. Even using Film Scan 2 though, I am not seeing the same level of. JPG, . Cineform can be decoded at fractional resolutions so this is why it's easy. Community guidelines. Apple ProRes (via FFmpeg) 🟢. Reply. 6kの画質が必要な場合はいちいち変換するという作業も発生してしまいます。もともとappleの問題でProRes vs cine-fromという図式もどうかと思う所もあるんですが、 adobeを使えば？It is always best to render out to a higher resolution codec first, this could be a Quicktime Animation, PNG, ProRes or Avid DNxHD, Cineform for example. Calculate the disk space taken up by over 75 codecs including ProRes, Animation, ARRIRAW, DNxHD, XDCAM and DPX. Since the color space of Standard Definition tends to be 4:1:1--formats like H. 264, h. When delivering 4K, there was a slightly noticeable difference in HQ vs regular. Re-encode the H. Here’s a good way to explain it. 3: In Adobe Media Encoder add the folder all the footage resides in as a watch folder. While CineForm may have an edge in terms of color depth and image fidelity, ProRes is widely adopted in industries like broadcasting, film production, and professional video editing due to its ease of use and compatibility. 264 didn't have 10-bit implementations and H. • 2 yr. How to Render GoPro CineForm 10-bit Video. It's getting boring. DVD, Blu-ray, AVCHD/AVCHD Lite 1, and HD-DVD 2 discs or disc backups. Mezzanine codecs are post-production formats, such as the Apple ProRes, Avid DNxHD/R, and GoPro Cineform codec families. Quote:Cineform "Visually Lossless" is extremely fast and size vs quality may be adjusted in very large limits. I wanted to do an informal test between Avid DNxHD, Apple ProRes HQ, and GoPro Cineform to see how they stacked up through 5 rounds of recompression. YouTube itself recommends using the . Smart Rendering is a "workflow" to export files 20 times faster by using your preview files to assist the export. Explanation: Intra-frame vs Inter-frame Compression These formats are equally great, and work the same, though some have their preferences for. So we’ve scoured the Internet and brought them all into a single page. The best and worse uses for Cineform The Cineform codec is a robust and stunning codec for many things, but proxies aren't one. 9)GoPro CineForm; NONE: Uncompressed RBG 8-bit; ProRes 422; ProRes 422 (HQ) ProRes 422 (LT) ProRes 422 (Proxy) ProRes 4444; NOTE: Smart rendering for QuickTime codecs is automatically enabled any time the source settings match the export settings. 5 GB per minute. Any of them are good. 2) 5. I tested a few clips with DNxHR (after being tossed into Media Encoder) and timeline playback is now flawless. 264 and MPEG-2 which tend to be around 4:2:0+ can easily preserve this old footage while saving you space on your hard drive. I wanted to see how they'd compare in a real-world example. To download the Arri Alexa ProRes 2K and 1080p files you will need to access their FTP server and browse to the folder with the correct footage. CineForm Intermediate is a proprietary video codec developed for CineForm Inc by David Taylor, David Newman and Brian Schunck. – stib. Press OK to save the changes. Then brought the footage into FCPX, color corrected edited, added my titles and graphics and exported a . In Premiere 23. HEVC itself has a distinct distadvantage against ProRes (and even AVC) when it comes to retaining high-frequency noise and detail, for example film grain, so even at 'equivalent' bitrates it might go either way depending on what you're shooting. Although your codec is only 10 or 12 bpc, I've found that over-sampling to 48 bits is better than up-sampling from 24 bits. For the highest quality, you’ll be better off converting it to something like Apple’s ProRes 422 codec. Try using -g 1 rather than -intra and confirm whether it is any quicker to commence playback and step-through (color stuff dropped for clarity) $ ffmpeg -i myfile. One of the best and most versatile codecs is GoPro Cineform (which is found under the QuickTime format). So much better. 264. For this reason, many post-production facilites have abandoned ProRes and implemented a full DNxHR workflow. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, high quality, professional "mezzanine" (some editors refer to them as "intermediate") codecs. The CineForm codec has been in development for 16 years, overseeing many innovations in the video production market: it ushered transition from standard definition to HD, and it was. But of course I cant make new prores files in windows. Under 'bitrates adjustment' click 'VBR' until it says 'CQ'. easyDCP (3) 2K and 4K DCI, Kakadu formats. 265. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. Then, when you’re done, you relink the. Community guidelines. In order for ProRes to match the image quality of h. 1, MacOS 12. Reduce Playback resolution to the lowest it will go. Part 2. Resolve Studio 17. Step 2. 5. Community guidelines. To date, I have been using the ProRes HQ format that the device allows - this gives a 10bit 22MB per second video recording (176mbps) - I shot a 10second clip today using the DNxHD codec, and see that it gives a 10bit 23MBper second video recording (184mbps). ProRes data rates look a lot line Cineform and RedCODE data rates. Resolve also reports that ProRes 4444 and 4444 XQ files are 16-bit, when in fact only the alpha channel can be up to 16-bit. On the custom tab with QuickTime format, the codec options I have are: DNxHD, DNxHR, Gopro Cineform, Grass Valley, H264, H265, Kakadu JPEG, MPEG, Photo JPEG and Uncompressed. But, when he exports the footage it looks terrible; green horizontal lines running throughout the frame. Nils Welter Avid DNxHD 175x 10-bit. Re: h264/265 vs DNxHR LQ proxies in Studio. Different codecs are optimized for different purposes. 2GB - 786,334 kbps. The Cineform proxies are actually smaller than the 4K - UHD footage. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. ago. „Can you prove it“ you ask. Posted by Lukas Dreser on October 6, 2014 at 4:14 pm. I've never seen anything like that out of Media Composer. The format in which you are smart rendering determines the option to smart render in these special cases. I used Cineform codec for years. you can found on cineform documentation. Both codec families are resolution independent, but bitrate will vary depending on if you output a proxy file or a. Everything in the folder is reencoded from 4k h. easyDCP(3) RGB and YUV422 JPEG2000 video mov, mxf Op1A, mxf Op-Atom – – yes Native, Kakadu RGB, YUV422 and YUV444 (8-bit, 10-bit, 12-bit each). The projected data throughput is roughly 147 Mbps at 1920x1080 and 29. MOV format works almost as well. Pro Filmmaker Apps is a curated database that can help you get a job done a little better or a little faster. 265, where there are only complete or " i-frames " every 9-30 (or even more) frames of media. So much better. These will show the options in the next step. And when using the GoPro CineForm conversion tools to do the conversion, the 8-bit 4:2:0 source files are up-sampled to 10-bit 4:2:2 files. 5GHz, 32GB, GTX1070 테스트 방법 : 각 코덱으로 인코딩된 파일을 프. The GoPro CineForm codec can encode pixels in YUV 4:2:2 at 10 bits per channel, or RGBA 4:4:4:4 at 12 bits per channel. Prores vs proresLT on a average-ish desktop editing setup at a variety of workflow stages. If your computer has the hardware to decode H. 264, when compressing media: HEVC supports frame sizes larger than 4K, H. If you like using VirtualDub for your video processing and playback tasks, then you are bound to like VirtualDub2 even more. Exporting out of one generation (camera originals) of H. All of these codecs, including Apple ProRes, work on macOS and Windows 10. The peer to peer support community for media production professionals. 264 and HEVC have poorer quality than ProRes, for example. I’ve always strongly felt that cineform’s 4:2:2 space is an advantage for many types of work, so I’m surprised to see so many people going for 4:2:0 prores LT. ProRes, DNx and Cineform are all optimized for editing. If you need a second choice, the . 26X series (The newest is H. Add it to the Render Queue and render it out. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. And DnxHd had the worst quality. Cineform is an excellent alternative, but a bit slower on Macs. Apple ProRes vs. Additionally the CineForm files are loss-less. 264 or AVC. This tutorial will gui. 264 format. . #2. PNG or . ProRes 422: This is the format I recommend for anyone shooting DSLR, HDV, AVCHD, XDCAM EX, XDCAM HD, AVCAM, or P2. You can pick other formats than ProRes. – stib. Simple Steps on converting HEVC/h. Where a GPU might only need 10W to decode 4k Cineform, 4k ProRes might draw 25-50W on the CPU (numbers only used for illustration purposes). You’re in very good company if you don’t understand, intuitively, why one type of codec is better than another - and, specifically, why an I Frame-only codec like ProRes or DNxHD is better than a long-GOP one like H. 265, vp9, dnxhd, cineform and prores. But you can also export DNxHR RGB 4:4:4 or GoPro. Most cameras still shoot in HD resolution at 1920×1080 pixels. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. MP4, this way you can have more control over your. Or even still frame sequence . Also, it could easily be argued that both H. At some point, power consumption might also be a consideration. However, in situations where you shoot in resolutions above HD, as a rule-of-thumb, it is always better to choose ProRes or. A depth of 48-bits is equal to 16-bits per channel (R,G,B). Check the Export Alpha option and change the file name as needed. Extremely marginal, but you can tell on a zoom-in. 5. Avoid using it in the edit as much as possible. GoPro Cineform, the cross-platform codec now in Creative Cloud, also produces high quality results. (H. Use Hybrid to convert the MKV to Prores (minimum of Prores 422 format, 4444 is better) or Cineform (Film Scan 2). 264. This is quiet slow (very slow), is it possible to use hardware acceleration to decode/encode the media files into ProRes? Add -q 4 to the command. However, if you have a weaker CPU or are doing CPU-intensive effects you might want a codec like Cineform. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. Sat May 28, 2022 7:19 pm DNxHR and ProRes are comparable in quality at the same bitrate. 5) 4. Most consumer video applications or devices will not play back ProRes or other similar codecs (like DNx or Cineform). Now we can answer the question of how to calculate video file size, and here is the video file size formula,Hello, Everyone. NLE software from any manufacturer (Premiere Pro included) will have much better performance during playback with these intermediate formats. There are, however, two good reasons to use HEVC, rather than H. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. NOTE: It is important to note that, by default, choosing Apple ProRes 422 Proxy creates a proxy file at the same resolution as the camera master file. BluRay uses MPEG2 at 50 For ProRes 422 115M is about what you get at 1080p24. Obviously, posting this on a Cineform forum is perhaps going to yield subjective responses, but I'm trying to get to the bottom of how the codecs compare. 264, you need a much higher bitrate. Studio for >=4k mj2 – – yes Kakadu. 테스트 PC : i7-5820K @ 4. To create proxy. This means that the lower bitrate DNxHD/HR files might not have adequate bit depth for high quality deliveries. Neil. IMO it is a great master codec for Windows/PPro machines- fast, easy to digest, lossless. professional. If you are doing extreme colour grading, fine matte work, etc. fs454 • 4 yr. 264/265 - Shutter’s got better codecs ;-) Another possibility is that CineForm will gain in popularity in relation to other intermediate mezzanine codecs like ProRes and DNxHD. Give your preset a name and when you save it, it will save to your computer with a ". 265. Traditionally video monitors mean video signal chain. FYI, ProRes encoding on Windows has been added to the Premiere Pro (and Media Encoder) 13. 265 requer uma quantidade menor de largura de banda em comparação com os codecs H. Apple. People will argue about ProRes vs Cineform vs DNxHR as an intermediate mezzanine codec. 264 codec. Cineform is also the codec of choice if you plan on doing multiple export passes of your project. 6. for use in post-production that supports video resolution up to 8K. 5. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. ”. Speed effects, time remapping, or reversing the clip are definitely in the "complex" category for H. Render your Timeline as you go, or at least before exporting. Para uma visualização ideal, os vídeos H. 2 Upvotes. To export a video with an alpha channel, go to the export settings in Premiere Pro, and select a format that allows for an alpha channel such as Quicktime. 264 uses long-GOP compression, it can pack a lot more information into those 100 megabits than ProRes can. ProRes Proxy - DNxHD 36 ProRes LT - DNxHD 80. I consider the following to be valid containers for these codecs. ProRes 1080 is around 115Mbps. 2, MacOS 12. This makes the codec an excellent choice for image acquisition, post production processes, and even broadcast delivery. Por outro lado, o H. The DNx family is great, but it offers a lot of options that can quickly get overwhelming for new users. The implemenation here is derived from reverse engineered work, which many claim to be inferior, but that has yet to actually be. . ProRes is originally deveoped for high-quality editing in Final Cut Pro. Maintains superb quality even after multiple encoding/decoding generations. Now the difference between a proxy and an intermediate codec is that a proxy is just used for offline editing because it is small in size and fast (due to low. ProRes 4444 vs GoPro Cineform for color. Daniel2 Codec Summary. Translate. h. If you are working with SD or HD media, choose ProRes 422; If you are working with RAW, HDR or Log files, choose ProRes 4444;おはようございます。 今回はApple Proress 422について解説させていただきたいと思います。 「H264」と「Aple Proress 422」のこの2つ圧縮フォーマットは映像編集においてかなり多用しますので必ず覚えてください。 まずは、Apple Proress 422の種類から説明いたします。 ・Apple ProRes 422 HQ →最高品質仕様. Thanks to its high quality, efficient compression, and overall versatility in terms of support for various file types, resolutions, and even RAW, I can see CineForm becoming a mainstay in many post production. As opposed to say the long-GOP (group of pictures) format H. Prores would be ideal in this case. Under 'Advanced features' set 'hardware acceleration' to Nvidia NVENC. There was also a 12 bit Bayer raw Cineform conversion offered in the original software. 264 and ProRes, CineForm stands out for its ability to retain more detail and color information. 266/VVC but hasn't been adopted in practice. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. This ffmpeg command: ffmpeg -i input. Codecs of 2011 - Prores Vs Cineform Vs DNxHD Discussion in 'CineForm Software Showcase' started by Kris Koster, Feb 4, 2011. Once your window is open, go to your export settings in the top right of the window and change the 'Format' to 'Quicktime'. Cineform is a wavelet compression codec, with 10-bit YUV and 12-bit RGB variants, which like ProRes support compressed alpha channels in the RGB variant. Format. ProRes 4444 vs GoPro Cineform for color. All codec bitrates are calculated at 1080p 23. Use the Cineform or ProRes proxies. agent42b • 7 yr. To illustrate the differences, I took my original test video into Adobe Photoshop, added the compressed video to the layer above, set the compressed video layer’s blend mode to. You won't want less than ProRes 422 HQ for final results anyway. I wish DNxHR had a comparable result to ProRes 422 LT but it only seems to have an equivalent to 422 HQ. KineRAW-MINI can save data in CinemaDNG format, while KineRAW-S35 can save data in CinemaDNG and Cineform RAW (one time/both). does not. Main idea is to choose an intraframe delivery codec, not interframe (atleast for master files). You want a intraframe codec (ProRes, Cineform etc), because then you will be able scrub much faster than using a interframe codec (H264) Simply transcode you footage into a intraframe and you’ll be good to edit with it. I personally recommend Cineform Film Scan 2 (same perceived quality as Prores 4444 at much smaller file size). ProRes. DNxHR and ProRes are comparable in quality at the same bitrate. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. 6Mb/s,. mp4 HEVC 444 10bit/16bit. Then I added all my GPCF media, and re-encoded to Apple ProRes 4444 with alpha, since my source material was from Adobe Character Animator (which used to offer the CineForm codec for output with alpha). It appears that VLC supports Cineform natively. If you want a different ProRes format, open "Parameter settings" windows and select any option in the "Video Encoder" drop-down list, including ProRes 422, ProRes 422 Proxy, ProRes 422 LT, ProRes 4444 XQ, and ProRes 4444. Hollywood, California 90038 USA. For exporting in DaVinci Resolve, AVI has codec options for GoPro CineForm and Grass Valley. 7. Choose source files in the project window → right-click → Proxy → Create Proxies. Re: Cineform 16bit RGB small note. For the smallest proxies, you could create H264 proxies at a lower resolution. They're not painstakingly tweaked for the best possible quality at a given bitrate. Given the additional requirements for 5K (limited to Cineform or Prores, more demanding hardware), you may want to consider using 4K instead. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. Short Answer: YES, we still need them and will continue to for a while. Install the H. We’re making this change to improve playback and export times when working with rendered preview files. . ProRes 4444 XQ is supported on OS X Mountain Lion v10. Formats like Apple ProRes, GoPro Cineform, XDCAM, and Avid Dnx are commonly used as “working” codecs in Premiere Pro because they are enhanced to use CPU or GPU and are included with the standard install. video comes more down to signal chain and how you process your files. Smart Rendering is a "workflow" to export files 20 times faster by using your preview files to assist the export. ProRes HQ (avg: 61. 264 format. Ps. I don't care about file size so which codec is best for me. Step 3 Edit GoPro CineForm video (Optional) Before converting GoPro CineForm video to MP4, you may also first edit the GoPro CineForm video files: Click the "Effect" button to. I guess, Cineform debacle was no big deal for some members of the forum, who claimed that they never used Cineform, which "was a stop-gap format for HD shot video 10+ years ago. Codecs designed for editing (DNx, Pro Res, Cineform) will performance WILDLY better than h. 6K Equilateral Cineform Film Scan 1 - 46. HEVC supports 10-bit depth media, which is required for compressing HDR (High-Dynamic Range media). 264. 264 for possible quality though much bigger in file size. 264 or Cineform format, and then adjust the resolution frame size using the video tab, then save the preset using the save preset button. Selecting the Right Codec for Windows Users: For Windows users, choosing between the GoPro Cineform and DNxHR codecs might. 264 is probably a bad idea. #5. First you will need to go to your export window: File - Export - Media…. To create proxy. 6. Most editors prefer to use Cineform, DNxHD/HR, or ProRes formats for their proxy files in Premiere Pro. More details are in the MPEG vs. Cineform is an excellent alternative, but a bit slower on Macs. Examples are ProRes, Cineform, and DNxHR. 화질 테스트. But if a scene only needs 10 bits, then Cineform will use 10 bits. To smart render to/from QT AVC-Intra, install the QT AVC-Intra codec. To download the GH4 ProRes LT files at 4K resolution click here. Wes Howell • Adobe Employee , Dec 06, 2018. Only today I noticed something weird in the file sizes: 5 Second clip from after effects to AME (using the new "queue in AME" from render panel) in Cineform 12bit - no alpha: quality 4 > resulting file is ~700MBRitterRunkel wrote:Consumer vs. Any of the low resolution presets will work ok as long as it is Quicktime, I just found cineform to be the smoothest on my machine. Davinci Resolve decode: Native, YUV 10-bit, RGB 16-bit. Codecs refer to the way that audio, video, or other data is encoded, whereas containers refer to the file that contained encoded audio and video. MOV (Prores 422/422 HQ/4444) - Popular use with Final Cut X, Premiere and Avid; MOV (GoPro Cineform) - Amazing format primarily used in Adobe Premiere; MOV/MXF (JPEG 2000) - Used with Avid, Premiere and Final Cut X; MOV (Animation) - Used with Avid and Premiere; Most of the mezzanine files above are available in Adobe Premiere, Avid and. . GoPro Cineform is a high-quality codec, similar to ProRes and DNxHD, in that it is optimized for high quality and efficient editing. O H. I am not the prosecutor in a court room here. 264 GH4 footage to 1080p 10 bit CineForm, since my PC isn't quite beefy enough for online 4k editing. IMO it is a great master codec for Windows/PPro machines- fast, easy to digest, lossless. Neither cineform nor h. You have to create, edit, and package your video in a way that works across different platforms. ProRes/CineForm/DNxHR caught on because of the platforms which decided to use them. 264 codec. MikeVideopunk. 264, you need a much higher bitrate. Apple ProRes; Avid DNxHR; Blackmagic RAW (which is not a RAW format, but we’ll save that discussion for later. Set the CQ value to 1 to create a visually lossless file. Finally, CineForm is extremely high quality but comes with the burden of a high data rate. 8. These programs will include Premiere Pro, LR Timelapse, Lightroom, After. Una mayor calidad de las imágenes en cuanto a detalles y color durante. And, BTW, ProRes is a codec, while QT is both a container and a (soon obsolete) framework. From my perspective, having transcodes (simple copies) to Cineform, etc. "C:Program Files (x86)CineformToolsDPX2CF. There are a plethora of free GUIs for ffmpeg for those unfamiliar with the command line. But, for SDR content upscaling 8-bit output should be fully sufficient with no visible differences compared to 10- or 12-bit (or excessive 16-bit) frames. 動画A、Bそれぞれを1920×1080にリサイズして書き出し。 ビットレートの詳細情報をMediaInfo(ソフトウェア)と、ffmpeg -i <inputfile>コマンドで確認。Because h. 换一张. avi -c:v prores -profile:v 3 -c:a pcm_s16le output. These programs will include Premiere Pro, LR Timelapse, Lightroom, After Effects, Photoshop, FCP 7, Quicktime 7, GB Deflicker, CHV Time Collection, ProRes vs CineForm, Photomatrix, GBS Timelapse & more. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a mathematically lossless alpha channel of up to 16 bits. What video formats can Xbox One Play? Ans. Now that both macOS (High Sierra release) and Adobe Media Encoder (2018 update) support the new HEVC codec, I thought I’d compare compressing video using H. Over time more features have been added, from HD, to 3D, to 4k and beyond. h. Explanation: Intra-frame vs Inter-frame Compression Intraframe formats are equally great, though some have their preferences for formats, quality choices, and frame sizes. The previous default was I-Frame Only MPEG. ProRes is only standard because of apple ecosystem. Export settings in Resolve: 10bit 422 YUV Cineform highest from Lightworks is Filmscan 1 Cineform standard, more or less equivalent to. Cineon 1080 RGB. Exporting out of one generation (camera originals) of H. I consider the following to be valid containers for these codecs. It will show you the bitrate of. mov. Under presets, select low resolution cineform. Is h265 worth the hassle of so much harder decoding? Maybe in case of a recording format yes (as then storage is precious), but later there is about no point using it as intermediate codec. Indeed they are very proud with this new (and dramatic) technology. It is not BRAW, but CDNG 3:1 vs ProRes ahem 422 LT on the URSA 4. The most common video codec used for compression is H. If we think about ProRes or DNxHR/Cineform or any other intermediate codec as a high quality master/working format then they should be actually RGB based end always full. 12bit Cineform 5 (avg: 67. CineForm is compressed raw, much like REDCODE on the RED Epic. 0 we’re changing the default preview codec for most new sequences created from media to Apple ProRes 422 LT. 1, MacOS 12. 265, vp9, dnxhd, cineform and prores. more Understanding. DNxHR and ProRes are comparable in quality at the same bitrate. I’d be interested to see a honest comparison of Cineform vs. Cineform Low is a higher datarate than ProRes Proxy Cineform Medium is a lower datarate than ProResLT Cineform High = ProResSQ Cineform Filmscan1 = ProResHQ Cineform Filmscan2 = Doesn't have that high Cineform 444 not equal ProRes444 -- CineForm 444 is RGB based, ProRES is always YUV Cineform 4444 not. The encoded pixel format is based on the color depth and alpha channel settings that you select in the Export Settings dialog in Premiere Pro. In the same time Cineform has slightly worse quality at given bitrate. As opposed to say the long-GOP (group of pictures) format H. mov. Neil. MFX as mentioned above is a container that can hold intraframe or interframe codec. 98 fps. It's never advisable. Yes, ProRes 422 is vastly better than any H. It edits/scrubs perfectly, and is good enough to use for color work. CineForm seems to use 0…1023. The ELI5 explanation is that a codec is like a way of storing clothes (like rolled up.